In France, before the revolution of 1789, there existed
three classifications of periodical publications: There were the official
publications, which were licensed by the Royal Court, staffed by aristocratic
royalists, and propounded sentiments acceptable to the monarchy. There were the
underground publications which were illegal and included writings that ranged
from pornography to political dissent. The third kind of publications were
tolerated publications. These were periodicals with alternative or marginal
views, attempting to convince the public to accept new propositions, who wished
to reach a wider audience than the underground press.
Le Journal des Dames
(1759 – 1778) falls into the tolerated category. Its 19-year history reflects
the fluctuations in French politics during the Ancien Regime. In the author’s
words, “these papers kept alive a dissenting journalistic spirit and fought to
achieve the maximum press freedom possible under a system of censorship…Periods
of leniency, such as the mid-1760s under [book trade minister] Choiseul and the
mid-1770s under [ministers] Malsherbes and Turgot, encouraged the frondeur [opposition] journalists to
believe that the reform and redefinition of social values would be possible within
the established order, but such periods
of repression as Maupeou’s ministry and Le Camus de Neville’s directorship of
the booktrade forced the frondeurs
into more subversive modes of discourse”
(Gelbart, p. 291).
Though Le Journal des
Dames would become a feminist publication, that was not its original
purpose. The two first male owners and editors presented it as a confection to
amuse bored aristocratic and middle class women by printing their writings. It
failed miserably. But three successive female editors gave the paper its more
serious purpose of encouraging women’s creativity and independence. The final
set of editors were men who, although they valued women’s independence, were
more interested in using Le Journal
as a mouthpiece for anti-autocratic ideas, resulting in the paper’s final
suppression.
Gelbart is a diligent academic historian. Unearthing the
record of this forgotten periodical involved deep submersion in the stacks of
eleven different French archives. The author’s dedication to historical accuracy
is reflected in her narrative: Though she expresses a great deal of enthusiasm
for the three female editors, when one of them writes that Le Journal was distributed by 81 booksellers throughout Europe,
Gelbart is quick to point out that this claim was “a sham, a publicity stunt”
(Gelbart, p. 112). Professor Gelbart would not sully years of intense research
by allowing inaccurate statements to stand.
Throughout her work, this historian builds a case that “the Journal des Dames was the first French
paper to encourage women to think, take a stance, and speak up…it worked with
many opposition papers transmitting explosive combinations of subversive
principles and values that would later find their fullest expression in
Revolutionary discourse” (Gelbart, pp. 302-3). In presenting this view, Gelbart
is patient, thorough and effective.
Gelbart, Nina Rattner. Feminine and Opposition Journalism
in Old Regime France. Le Journal des Dames. Berkeley: University of California Press, 1987.
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