Metabiography studies the relationship between the
individual portrayed in a biography and the socio-political context of the
writer. It is an offshoot of metahistory, as first elucidated by Hayden White
in his 1973 Metahistory:
The Historical Imagination in Nineteenth-century Europe, which views the relationship of a
period or event to the socio-political context of the historian. The focus of
such examinations is more upon what they reveal about the writer, her time and
her influences, than what they say about the subject.
Nicholaas A. Rupke admirably performs an immense task by
both instructing his readership about what metabiography is, as well as
tackling the subject of Alexander von Humboldt and his representation in the
continually changing landscape of Germany. He begins by discussing the
conflicting perceptions of Humboldt during his lifetime, when both the
revolutionaries of 1848 and their opposition, the monarchists, laid claim to
Humboldt. Both have a point; Humboldt was a courtier of King Frederick William
IV, while simultaneously writing letters that were critical of the king and
democratic in their ideals. Rupke follows Humboldt scholarship through
Germany’s many periods of change.
Perhaps the most profound example of differing socio-political
perceptions of Humboldt is exemplified by the whiplash speed with which images
of the scientist were altered between World War II and the Post-War period.
During the war, the Nazi Party laid claim to Humboldt as an example of German
superior genius. After the war, as Germany was divided between East and West,
two differing national perceptions of the subject developed. East Germans
emphasized features like his abolitionist values (as a criticism of the US),
his work as a mining inspector (to develop his proto-communist worker
credentials) and his anti-colonial remarks (a criticism of Western European
powers). In West Germany, scholars emphasized Humboldt’s familiarity with the
West (i.e. his living in France and writing major works in French), and his relationships
with cosmopolitan Jews in order to de-Nazify him.
During the course of this book, my primary question was “Who
is monitoring the socio-political influences of the metabiographer? This is not
an attempt to play “gotcha” with a superior writer. Rupke is a brilliant,
careful historian. But even the best writer will let biases slip-out if given a
long enough project. The following is in the spirit of Rupke’s own
self-reflection, where he states “this book itself now becomes part of the raw
material for further metastudy” (Rupke, p. 217).
As a Dutch historian of science, who has worked in Britain
and the US, Rupke’s Western European and Cold War views are visible in his
work. In his discussion of post-war Germany, he refers to East German studies of
Humboldt as “shrill political rhetoric” (Rupke, p. 141). While he does credit
East German efforts in establishing “the most extensive basis of primary
sources” (Rupke, p. 175), Rupke also claims that “West Germans were not under
pressure to argue the legitimacy of their state” (Rupke, p. 144). I doubt this
latter claim is so. Let us use the author’s own example of Werner Heisenberg,
who was the first post-war president of the Humboldt Foundation. Prior to the
war, Heisenberg expressed his admiration for Jewish scientist Albert Einstein.
During the war, Heisenberg did not join the Nazi Party; but he did work for the
Nazis on Hitler’s project to build an atomic bomb. This was an individual in a conflicted
relationship with the Nazi Party, employed to direct Humboldt scholarship by a
nation equally conflicted in its relationship with the Nazi Party. The
resulting scholarship was designed to “serve the cause of rapprochement
between…West Germany and its occupying powers” (Rupke, p. 141). How is this not
a “pressure to argue the legitimacy of their state”?
Another element of Rupke’s study that expresses a Western
European/US bias is his characterization of “Spanish-American interest in
Humboldt, taking at times the form of hero worship” (Rupke, p. 134). While this
may be true in some quarters, there is also a strong anti-colonial tendency in
Latin American historiography where some native authors would be unlikely to
regard a white western explorer as a hero. However, a Germanophile westerner
from a colonizing culture may not hear these voices and create a balanced view.
Thirdly, there is an interesting passage where Rupke refers
to German citizen Carl Troll as a “collaborator” with the Nazis. This is an
unusual choice of words, designed to separate “passive fellow travelers” from
“active collaborators” (Rupke, p. 156). But a collaborator is someone who aids
a foreign, invading power in its domination of a country. The Nazi Party was
not a foreign power victimizing Germany, it was an elected political body supported
by the majority of German citizens. It would be hard to imagine a Jewish
historian defining wartime German citizens as collaborators. Conversely, it is
probably difficult for a historian working among Germans to avoid insulating
himself from the notion that this was once a nation which caused such
widespread harm.
So Rupke’s book presents examples of how metabiographies or
metahistories themselves are influenced by socio-political environment. Further,
even how one views the purpose of metabiography is altered by environmental
influences. Rupke chose to study Humboldt. He did so in the context of a
Germany, whose politics have changed so dramatically and rapidly in the course
of his lifetime, that he concluded “the task of metabiography is primarily to explore
the fact and the extent of the ideological embeddedness of biographical
portraits, not to settle the issue of authenticity” (Rupke, p. 214). Ideology
is a system of ideas, not necessarily a system of beliefs, which are based more
upon religious feeling than intellectual conclusions. If Rupke were performing
a metabiography of Charles Darwin in the context of Kansas, would he change his
characterization of the task of metabiography to exploring “the fact and extent
of the ideological and belief-based
embeddedness of biographical portraits”? Since Rupke himself states that “the
issues we raise come from contemporaneous anxieties and interests” (Rupke, p.
215), it is clear that even the defined purpose of metabiography is susceptible
to such influences.
History is a tangle of individual points of view on periods,
events and people. The methods of metahistory and metabiography seek to
untangle this fascinating mess of perspectives. But in the end, they simply
represent the views of more individuals who have their own biases and personal
colorings when observing historical evidence. It is only an ideal that
historians employ the methods of science; using empirical evidence and primary
sources to draw conclusions. Aside from the most basic conclusions (i.e. “We
have evidence that Alexander von Humboldt was born in Berlin), the ideas
engendered by the evidence are products of individuals with their own
socio-political backgrounds. For this reason, history is as much Art as
Science, (but not in a good way). Art is all about the individual perspective
of the artist in a creation. History is a combination of evidence with personal
creation. All of this means that a reader of history is required to have a more
active role than simply reading and taking-in what one is being told. The
reader is required to parse the Art from the Science; the personal coloring from
the empirical evidence. This is the only way for one to determine wherein lays
historical accuracy. The reader is actually required to be a historian of the
piece that they are reading. One must ask whether a statement is backed-up with
reference to a primary source that directly states or proves what the author
claims, or whether the statement is a product of the author’s imagination. The
answer will not always be clear. To cloud matters further, one must also take
into account one’s own socio-political background and explore how one’s own
ideas are colored. But this is the challenge of history and where active
learning occurs. When one reads a history book, one learns not only some facts
about the past; one learns how to investigate. The ability to investigate, to
ask questions and go about answering them, is a valuable tool for an active
mind; a tool that will serve a reader in most other aspects of life.
The study of history has been in the midst of a transitional
period for a few decades; at least since Hayden White first began exploring the
socio-political perspectives of the historians themselves. It is a somewhat
confusing period where historians can no longer just tell stories and readers
can no longer just read them. Since the examination of bias, based upon the
historian’s and the reader’s socio-political views entered the equation, the
study of history has been in a crisis (but not in a bad way). A crisis is a
turning point; a decisive or critical moment. We are in the midst of more
questions than answers about historiography. I’m not sure where this period of
questioning will lead. But eventually someone smarter than me will develop a
few useful answers and strategies. These will result in intellectual growth and
new ideas about how to approach history for more accurate portrayals. For all
we know, the kernel of truth may be somewhere in our biology; at least we all
have that in common. Then again, maybe this is all just something I’d say
because I’m merely a product of my socio-political environment.
Rupke, Nicholaas A. Alexander von Humboldt. A
Metabiography. Frankfurt am Main: Peter Lang GmbH, 2005.